Pitchfork gives some props to Desmond Dekker, who deserves them. Given the multitude of Dekker comps already available, I'm a bit skeptical about the need for a new one, though most tend to pad the last few tracks with mildly execrable late '80s/early 90's covers Dekker did of his own work with the remnants of The Specials. This comp seems to be no exception to this trend, though it does have some stuff on it that I've never heard before.