Sunday, March 13, 2005

we

I walked by Dublin House on 79th street yesterday, the first day in nearly a week when i hadn't felt too sick to leave the apartment, and i saw a man and a woman in their late twenties leaving the faux pub. They looked kind of exhausted, unmotivated, and unimpressed. The woman said "well, at least now we've been there," as they descended the few stairs between the front door and the sidewalk. At least she said something like that, at any rate. The pronoun struck me, sounded almost foreign, and that's when i realized how little i use it now, how rare it is that i invoke the collectivity of the first person plural except in the very past tense, the perfect, the concluded, how lonely my life is right now.

There's an episode in the first season of Buffy the Vampire Slayer (which i now think is like ten million times better than Six Feet Under,) in which a classmate of Buffy's, ignored by teachers and students alike, becomes physically invisible, vanishes from sight when the rest of the world declines to see her. She goes on an invisible psychotic rampage and tries to disfigure and maim Cordelia, but that isn't the point (the episode's X-filesian conclusion, in which invisible girl winds up at a top secret training school where scores of invisible high school students become CIA assassins notwithstanding)- the episode's stregnth is in the metaphor, the adolescent fear or obsolescence and obscurity and yes, invisibility. I bring thsi up not to say that the metaphor resonates with my present secluded self-loathing, but rather to wonder if the loss of the plural subject is what's been arresting my blog productivity and quality of late. My writing feels oddly groundless, free-floating in an electronic netherworld of ideas with no connection to outside material reality or collective struggle. Clearly, i need a job.

4 comments:

  1. if i may --

    please reconcile the statement below

    "Buffy the Vampire Slayer (which i now think is like ten million times better than Six Feet Under,)"

    with the following:

    "invisible girl winds up at a top secret training school where scores of invisible high school students become CIA assassins"

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  2. i think the episode in season five, where Buffy's mother dies of a brain Aneurysm, is in some ways a much more honest look at death and dying than some of the more facile moments of six feet under. Lauren Ambrose aside, i think 6FU at times takes its own mythology for granted and turns into a soap opera in a funeral home instead of a show about death and dying and life, which is what it is when it's good. Also, i just dislike Alan Ball and i hated American Beauty.

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  3. hmmm. okay, i haven't seen that episode of buffy, but the ones i have seen contain demons who look in every way like humans except they're wearing weird masks and make-up, and they have much worse senses of humor.

    also, there's nothing inherently wrong with soap operas, except that the tendency is for the writing, acting, plot, direction, and cinematography to be bad. i think that SFU is consistently great in all those areas, so i'm fine for it to be a serial drama focusing on the ins and outs of a set of characters.

    i dunno. i always cringe at the dialogue and plot when i watch buffy. it's occasionally funny and emotional, with frequent good acting, but mainly it just embarasses me. apart from stephen king i'm not a huge horror fan, though, and i think that's got to be some of the appeal.

    alan ball is weird. but the regular writers (i.e. the HBO stable that also writes Sopranos, etc.) are excellent.

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  4. It isn't about the plastic demons. The show has a small budget. They also got watched by millions of people for free on Network TV. Six Feet Under we all have to pay for.

    Six Feet Under never had the Breeders as the episode bar band (season seven episode six). Or Cibo Matto. But the Breeders are like ten times cooler, because we're talking "this is a song about a superhero named Buffy" here. Kim Deal aside, which, if you're like me and you grew up on Doolittle, is a pretty big aside, I'm somewhat insulted by Alek's persitent implication that I and other Buffy devotees are 8 year old girls (and that, if we are, there is something bad about this.)

    In the same episode with the Breeders, they also have a Shins song. Not even the episode where claire steals the foot is that good.

    I like Six Feet Under a lot. The acting's consistently fantastic, the writing, with some exceptions (Brenda's dialogue in the first epsiode, for instance) is usually pretty good too, though i find some of the characters one-dimensional and annoying and the line between feminist representations of stigmatized sexualities and over the ttop morality plays (end of season 2) is irksome. Also, Nicole Ritchie?

    Nicole Ritchie vs. Kim Deal. Not really a very difficult decision.

    Buffy's writing is consistently crisp, hilarious, and emotionally potent. Like when they kill off Jonathan for no reason.

    Ah, i don't really want to have this argument. Alek is a poopy head.

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